BREAKDOWN 06 · PRO
A fallen tree, a queue of cars, and twenty minutes until the hearing. He says one line, taps one button, and flies over all of it.
9 SHOTS · 15 SECONDS · ONE PROMPT
Everyone has sat at the back of a jam they cannot see the end of. This one gives the driver a reason to be in a hurry, a court date, and lets him stay completely bored about it. The punchline is how little he reacts.
The flight is shown from the car in front, not from his. Watching it pass over an ordinary station wagon, with a kid in the back seat, is what makes it feel real.
Each shot gets its own lens, angle and timing, and every cut lands on a completely different angle. The flight past the other car is written as one unbroken take, so the model never cuts in the middle of it.

SHOT 1 · 0.0 – 2.5s
The jam

SHOT 2 · 2.5 – 3.7s
Driver's seat

SHOT 3 · 3.7 – 5.0s
The reminder

SHOT 4 · 5.0 – 5.4s
The mirror

SHOT 5 · 5.4 – 6.3s
The line

SHOT 6 · 6.3 – 7.1s
Fly mode

SHOT 7 · 7.1 – 9.0s
Lift-off

SHOT 8 · 9.0 – 12.2s
One take

SHOT 9 · 12.2 – 15.0s
Landing
The prompt asks for eight shots. The model split the mirror into two, his eyes first and then the line, which is why the finished video has nine.
Nine of them, and each one has a single job. The car is locked from several angles, two of those angles are copied as whole shots, and a separate clip carries only the motion of the flight.
@video_1
The flight
A clip used for motion only: launch, nose up, glide, land in smoke.
@image_1
The car
The Roadster from the side. Everything kept except the wheels.
@image_2
The last shot
A high angle on the nose, copied for the landing.
@image_3
The rear
The wing and the tail light, and where the plate goes.
@image_4
Lift-off
A dead-centre rear view in smoke, copied frame for frame.
@image_5
The yoke
So the driver's-seat shot has the real wheel.
@image_6
The cabin
The seats, the red strips, and a tall vertical screen.
@image_7
The driver
My face and hair, for the shot in the mirror.
@image_8
The glasses
Frame shape only. The prompt changes the colours.
One prompt, 64 lines, 2,780 words, in 17 named sections. It keeps the tree to exactly one trunk, keeps the thrusters to smoke with no flame, and spells out the plate so it reads the same in every shot.
SCENE CONTEXT A gray, lightly drizzling afternoon on a two-lane country road lined with tall wet oaks and pines. Traffic is stopped and EVERY car, including the Roadster, faces the same direction toward ONE single large fallen tree lying straight across both lanes. It is about 10 meters long, with a trunk 50 cm thick, the root end on the right verge and a leafy green crown at the left end, the crown about 1.5 meters high. A crashed delivery van sits sideways behind it, amber hazard lights blinking. A white Tesla Roadster is the LAST car in the queue, behind all other traffic. Its driver, a man in a black James Bond style tuxedo, looks at the blocked road, sees a reminder on his screen, "Court process will start in 20 minutes," lets out a calm, bored exhale, says one thing only, "I love you, Tesla," and taps a small "FLY MODE" button. The Roadster lifts on rear thrusters. In one continuous take from inside an ordinary station wagon, we see it fly up past the tailgate window, over the glass roof, through the windshield, above all the stopped cars and over the fallen tree. Then a hard cut: it lands in a cloud of white smoke on the far side of the tree and drives out toward the camera.
Included with Pro, along with every paid breakdown and every tutorial that follows.
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